Off the Table: Bibimbap Project
2022
Glazed stoneware and casters
8” x 8” x 18”
In my childhood in Korea, I was taught traditional table manners: the soup bowl on the right, and rice on the left, with the spoon and chopsticks placed at the far right of the square table. However, in contemplating breaking away from convention, I pondered the idea: what if a functional bowl could exist independently of the table? As humans, we are continually seeking new approaches, including in our dining practices. Departing from convention, this performative ceramic object reflects my background influenced by a nomadic lifestyle. The dish bibimbap embodies a variety of vegetables, each grown in diverse ways, mirroring the varied life experiences from different regions. These differences converge in a single bowl, symbolizing unity amidst diversity. Each individual is a unique entity composed of diverse elements. This artwork serves as a platform for social engagement, inviting all to participate.
Glazed stoneware and casters
8” x 8” x 18”
In my childhood in Korea, I was taught traditional table manners: the soup bowl on the right, and rice on the left, with the spoon and chopsticks placed at the far right of the square table. However, in contemplating breaking away from convention, I pondered the idea: what if a functional bowl could exist independently of the table? As humans, we are continually seeking new approaches, including in our dining practices. Departing from convention, this performative ceramic object reflects my background influenced by a nomadic lifestyle. The dish bibimbap embodies a variety of vegetables, each grown in diverse ways, mirroring the varied life experiences from different regions. These differences converge in a single bowl, symbolizing unity amidst diversity. Each individual is a unique entity composed of diverse elements. This artwork serves as a platform for social engagement, inviting all to participate.
Progress Images
* Model: Bonnie Kim
* Photography: Ryan Oh
* Photography: Ryan Oh